EVERYTHING [but the girl]

An unforgettable triple-bill of emotionally charged, lung-busting physicality.

Packed with raw energy and exceptional movement from one of the UK’s leading contemporary dance companies, EVERYTHING [but the girl] features three unique and visceral works:

The Qualies by Fleur Darkin - A theatrical collaboration with the seminal US writer David Foster Wallace; bringing his ground-breaking study of the American tennis player Michael Joyce to life as a dance for four men. Created by the celebrated choreographer, Fleur Darkin.

Hollow in a World Too Full by Tamsin Fitzgerald – “We sit in a house and slowly the world we are living in is getting smaller” – Network 1976. A world first for the company, this solo work follows one man’s journey through a world too full. Featuring an impressive score from Cannes award-winning composer Alex Baranowski.

7.0 Reduxed by Tamsin Fitzgerald – How do we respond when everything we thought we knew is taken away from under us with devastating consequences? A highly physical, heart-in-mouth piece, 7.0 has often been cited as one of the company’s most successful works to date.

Age recommendation: 11+

CREDITS
Choreography: Tamsin Fitzgerald & Fleur Darkin
Lighting Design: James Mackenzie
Music for 7.0 & Hollow in a World Too Full: Alex Baranowski
Costume: Clare Milinczuk
Dancers in the Trailer: Louis Parker-Evans, Sam Buswell, Cameron Woolnough, Will Hodson & John Robinson

For more information about booking this show, contact producer@2faceddance.co.uk

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  • Seeing Dance

    “2Faced Dance Company ticks all the right boxes: high energy, total commitment and concepts of concern for these turbulent times.”

  • Culture Whisper

    “Five young men – talented, indefatigable, and entirely committed – make up 2Faced Dance and bring an explosive energy to the company’s anniversary triple bill, EVERYTHING [but the girl].”

  • DanceTabs

    “7.0 – Reduxed, gives a good idea of what Tamsin Fitzgerald’s company is all about.”

  • Culture Whisper

    “The high-octane choreography sticks to Fitzgerald’s trademark combination of fast-moving contemporary dance, street breaking, and acrobatics.”

  • Seen and Heard

    “All three works showcase the physicality of the dancers and all benefit from James Mackenzie’s sensitive lighting.”

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