• Subterrania

Subterrania

Subterrania is inspired by the evocative musical world of Shackleton. His sensibility of oozing bass lines and snaking percussion, amongst the dread-filled lyrics of Vengeance Tenfold, paint the picture of a world in immanent doom. There is real resonance in this music in our current times. The piece aims to create a new reality, a sense of urgency and a chaotic vitality and toughness.  This doesn’t have to be taken in a cold harsh way; it can also be this toughness and depth that give the work its necessary warmth and richness.

  • Choreographer
  • Tom Dale
  • Composer
  • Shackleton
  • Lighting Design
  • James Mackenzie
  • Costume Design
  • Claire Milinczuk
  • Original Cast
  • Johnny Autin
  • Mathew Chambers
  • Nathan French
  • Luke Jessop
  • Daniel Lowenstein
  • Jake Nwogu
  • Hugh Stanier
  • Lewis Wilkins

Subterrania formed part of a triple bill In The Dust with 7.0 and Politicking Oath.

DURATION

Subterrania 24 minutes

PREMIERE
Zoo Southside, Edinburgh Festival Fringe August 2011

Subterrania
    Reviews
  • They hit the ground running in Tom Dale’s Subterrania, a piece which explores the pulsating rhythms and heavy basslines of electro DJ Shackleton. The full company are enlisted to bang about, as loud as they can, causing a creative riot on stage. Together, they are dynamic, athletic, powerful: the essence of man? But it’s true that you can have too much of a good thing: in this case, virile bodies in an enclosed space for an extended period of time; there’s simply not enough room for all of them and their bustling energy. In fact, they nearly knock down The Albany’s walls with their power! As a result, some of the movement, and the abundance of energy that comes with it is lost, at times.

    Public Reviews
  • Dale’s ability to fill an empty space with the brooding menace of urban shadowlands is to the fore: that shimmer of threat compounded by a hint that some alien invading force is in the offing. The eight performers ratchet up the tensions in Dale’s fierce vocabulary of edgy, urgent moves where bodies are like coiled springs, ready to unleash lethally athletic dance.

    The Herald
  • There’s an immediate energy to In the Dust, a new triple bill by 2Faced Dance Company. This all-male troupe mixes hip-hop moves with contemporary dance, creating a muscular, confident style. These works show none of the joins that can plague crossover projects. The dancers have an easy athleticism, at home with everything from street dance acrobatics to mooching contemporary steps.

    The Independent
  • Some dance shows make you itch to jump up and start dancing; without any doubt In the Dust is one of these shows. 2Faced Dance Company mesmerizes the audience with a triple bill of contemporary dance interwoven with break dance and some capoeira. As the eight dancers of this male company swept the stage with jumps, pirouettes and nervous jogs, the energy propelled from the performers
    to the spectators was palpable.

    The Skinny

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